Plot

This effective drama about crisis and change in an unorthodox family is directed by Franco Brusati, best known for his earlier Bread and Chocolate. Marta (Hella Petri) lives in a large country estate after retiring from her career as an opera singer. She is not alone. Two women live with her, Claudia (Eleonora Giorgi) and Anna (Mariangela Melato), of uncertain familial ties, though perhaps nieces. Claudia and Anna are established in a lesbian affair and both depend on Marta like daughters would depend on a mother. Marta's brother Nicky (Erland Josephson) and his lover Picchio (David Pontremoli) arrive one day because Marta wants to take the two couples for a brief trip to Venice. Circumstances conspire to change those plans as one crisis after another, as well as a tragedy, make Claudia, Anna, and Nicky rethink their dependent behavior.
Eleanor Mannikka, Rovi

A brother, Earland Josephson, returns to his family home to visit his sister in the Italian countryside. He brings with him his young male lover. In the house with the sister are two women, one of whom, Mariangela Melato, takes care of the farm. The two women are friends and lovers since childhood and one senses that Melato's relationship is shadowed by the relationship she had with her mother shown through wonderful flashbacks. The brother also has wonderful memories of his and his sister's childhood in that same house with their father who was a magician. Following a night out at a lovely restaurant in the woods, other memories of the past are aroused in the Brother. The next day they all plan to drive to Venice where his sister sang opera in her youth for a holiday. Fate intervenes.

…To Forget Venice go beyond formulas of Italian-style comedy, relying instead on a system of motifs with symbolic overtone… In an elegant, polished style Brusati evokes the twilight of an old bourgeois milieu in a manner reminiscent of Chekhov’s plays. Yet the end brings neither Bergmanian self-castigation nor Chekhovian sadness over “a life that has slipped by, and one would say it hardly begun.”
1980 Nominated for Oscar: Best Foreign Language Film

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